ltd transparent green & white mixed vinyl - resoe from the danish echocord label with two tracks

it marks the long awaited reunion of electronic pioneers vince clarke (erasure/ yazoo/ depeche mode) and martin l. gore (depeche mode), who have joined forces for the first time in over thirty years to craft an album which, demonstrating their mutual love of electronic music. after initial tentative discussions, and a meeting at short circuit presents mute festival in london, where they both performed, these two influential musicians and songwriters, began work on the 10-track album, working in a typically unique way with the pair working alone in their respective studios, communication only via email, exchanging files until the albums was ready. the album includes the recent 12inch ep1 / spock, described by the quietus as one of the best tracks of 2011, plus the forthcoming ep 2 / single blip. the album was produced by vince clarke and martin l. gore and mixed by the influential californian electronic artist Überzone / q.
comes as double 12 inch in full artwork gatefold cover, including cd-version of this album.

very welcome remastered reissue of the ultra-rare 1982 cut >you cant have it from cult nyc boogie label tnt unlimited inc. mixed by the legendary tony humphries, this excellent cut is hugely dancefloor-friendly featuring a massive feisty vocal performance along with some top bongo action and a killer groove. backed with a superb dubbed-out instrumental version, this is a stone-cold killer and deserves a place in any serious boogie or funk collection. essential!

we are extremely happy to kick off 2012 with the second release of good ratio music. after capturing the hearts of audiences worldwide with “money ep” from chasing kurt, it is time to warm up your senses with this emotional “one by one” by our friend tom ellis. a great 2012 starting for this new label runned by carlo and baldo. four evocative songs are composing by this ep which feels pretty organic and sensitive at the same time. you might be ready to embark in such an affecting voyage built upon those ever imperfect harmonies and natural rythm. without any apparent fear we can catalogue this ep in the mood of an experiment close to deep house. definitely it is coming from hundred of harmonic sounds and light melodies, everything mixed up with great sax samples and voices to go further than a dancefloor moving. in this way we need to say big thanks to michiel renger & sammy maine for their contributions in the sax and voice respectively. basically it will be a pleasure to make you feel captured over the clouds after the listening

nice price deal !!! vae victis is back for its 2nd release and is glad to welcome the very first debut of nightjars. with this 4 tracks ep the label shifts on a different musical path, sound and style wise. sound wise, both sides are written, mixed and produced on hardwares and polarized on a ferromagnetic tape. technically, side a (raw side) is mixed with a tough multitrack mixer brought to its saturation limit: the sound is indeed distorted, raw and unfriendly. while the flipside (clean side) is instead mixed with a big class a vintage studio mixer. the sound is brighter, richer of harmonics and the infrasounds are charged thru a wide dynamic range. style wise,the label shifts on a more broken beat field, lets call it bass, dubstep or whatever, but anyway something which should put this vinyl in the records bags of all the lovers of shed, peverelist and horsepower productions to name a few.

the legendary gene hunt!gene hunts first release was on the infamous trax imprint and he swiftly followed it up with a string of tracks that were personified by a strong influence from detroit. deep strings mixed with intricate drum patterns were his trademark and his melodies ep for nepenta was one of the labels first hits. a chicago house music pioneer, and world class deejay, gene has collaborated with a range of critically-acclaimed artists and producers, including adam beyer, cari lekebusch, carl cox, paul johnson, farley jackmaster funk, frankie knuckles, and ron hardy. this ep with four killer tracks brings back old times! hot!

the song was produced by guy-manuel de homem-christo of daft punk and mixed by sebastian. the remix of this song, by a mysterious dustin n’guyen, is an outstanding pop song that everyone can enjoy.

at this point it is difficult for us to sum up the multi-faceted career and personality of tony rohr. he is brooklyns bang mixed with mid-western politeness, and is easily one of the most original and well-liked artists in the industry. his sought-after live pa, matched with a discography and release schedule that aspiring artists would kill for, keeps him consistently in high demand. he has turned up the heat in recent years, burning miles across the globe and sharing his enthusiasm for music and life via macbook, machinedrum and two korgs.

limited edition heavyweight 180g 12 inch vinyl.
once again, another heavy release from the french upcoming label clekclekboom recordings. this one is a pop/club influenced 2 tracks produced by ministre x, the franco-brazilian deejay and co-founder of the label. a very sensual femalish ep with two lovely guest singers: sana and romy. the first track >calling me< featuring the fresh and lovely sana is full of delicate and suave soul vibes mixed up with sophisticated club beat. the second track >just to please ya< featuring mademoiselle romy, takes us to a darker side of emotions, with subtle vocals and down tempo instrumental full of slow and heavy sub-bass. this 2 track ep will take you to the sensitive side of this eclectic label. grab it asap!

(160 gram mixed colored vinyl) / full color gatefold jacket w/poly lined inserts/shrinkwrapped w/sticker -->> limited edition label compilation from echospace detroit featuring unreleased material from cv313, deepchord, echospace, intrusion & varianz

the connaisseur family welcomes its youngest member: ava myra flitsch. the daughter of hilary and alex flitsch was born november 15th, 2011 and both the parents and good friends of the label celebrate this miracle with this release. all participating artists were asked to produce a very personal piece of music. the style was left up to the artists, resulting in a beautifully mixed batch of great tracks. the intro track hello! by dop & masomenos features a little vocal snippet as a salutation by masomenos adriens son and it is an atmospheric, soundscapish and beatless tool.

limited edition release, including code for free download of these tracks.
originally released in 2005 to coincide with the release of ghana soundz vol 2: afro-beat, funk and fusion in 70s ghana, this 12 inch vinyl sees two tracks from that release re-edited and re-mixed by natural self. joe mensahs >africa is home< is subjected to a re-edit, stretching the groove for added dance floor pleasure. side b, oscar sulleys lively afro-beat number >olufeme< is remixed with baritone sax and flute added to the mix.

highly recommended! marieu comes back with an amazing solo e.p. on his own label enlightened wax after the worldwide success of his first work, heavily played by the most appreciated underground djs. as usual, this record has been written, mixed and produced only on dusty machines and recorded on juicy magnetic tape. the opening track, >ancient times< is a capturnig fat deep house track with a subtle female chant and space-station pads a2, >heat eninges< is build on an heavy ground shaking bass, a wagging latin piano riff. big claps, and sharp cymbals. funky and relentless, its just an essential choice for every swingin dj. on side b,>radiant< develops on a solid bass drum a filtered house groove making a breach to a charming jazzy piano and a blues voice. a complete feeding for every hungry dancefloor b2, >spectrum<begins with a dark hypnotizing groove enlightened in the middle of the track by an uplifting motorcity pad. striking and suggestive.

the first release on the hong kong / stockholm based label born free is a five track ep. featuring the wonderful expressions of these wonderful people: jaakko eino kalevi (jeks viihde) supermodel and tram driver from helsinki. axel boman (studio barnhus) a dj who likes mexican food. sling & samo (born free) these guys enjoy time in da sauna.jiikkoo (snickars records) also know as the professor.carli (savage skulls/top nice) a happy guy who used to be a dancer. mixed styles,tangible and direct music for the dancing experience.take this product and present it during your next party situation,without hesitation inna di nation.

coloured vinyl: solid dark green and white mixed. after tokyo prose successful entrance onto the scene with their introducing series creativity began to flow. a series of collaborations with numerous producers began and it was inevitable some of these would bare great results. phil tangent had one of the singles of 2010 for marcus intalex soul:r label and was a perfect creative partner for the ideas charged tokyo prose. >parity< marries the pairs styles perfectly, with a euphoric vocal tempered by subtle gliding beats and bass. >rearview< is a sign of what drum and bass is missing in 2011. smooth, deep and soulful music that reminds us again how powerfully emotive the genre can be.
dj support from marcus intalex, dj marky, spectrasoul, presha and more to come..

two dogs in a house is steve summers and ron morelli (l.i.e.s) meanest project to date. rising from the delay saturated muck, pushing the red, straight forward and to the point with no time to waste, these brooklyn dogs started with a simple modus operandi as to make effective, psychedelic tracks that they would want to hear on a proper club system. and you do want to hear dogs anthem in a proper soundsystem. a fat one. rather than a decent follow up to their l.i.e.s. ep, this 12? is an statement by itself, sounding more experimental and raw ?if that?s possible than its predecessor. it evokes chicago, detroit, and industrial records equally, but do not get mixed up: this is a weapon designed to tear dancefloors apart! limited copies , hand numbered.

vae victis records kicks off his records catalogue with a 4 tracks ep where raw house and techno get mixed up thru machines and then recorded on tape. the project, a 6 hands affaire, sees teaming up three of the most interesting artists of the moment: the analogue cops, duo already known for their imprint restoration records and for their moodymanns remix under the appointment moniker and blawan, the uk producer who saw his debuts released last year by imprints such as hessle audio, warp, r&s and soon on clone who represents, alongside fellows james blake, pearson sound a.k.a ramadanman and joy orbison, the young breed of talentented new uk producers. promising start for this new label!!

the original track features on the compilation balance mixed by deetron coming in november. spanish producer simon garcia has already impressed with his ability to move effortlessly from techier sounds to the deeper reaches of house music. a talent that has brought him the opportunity of releasing his work on labels such quartz music, composite, supplement facts, nrk and now, perspectiv. >tears in vain< was an instant favourite with perspectiv boss ripperton. throughly road-tested, it was snapped up for the label and is brought to you today backed by a stunning remix from his fellow countryman, deetron. simons original is deep yet progressively driving. matching rising jets and beautiful vocal with a background of wild horns and handclaps. deetron continues to tread the heavenly path that so few can walk, turning in yet another masterful piece. staying true to the original, he adds elegant and classic touches. most pointedly the synth-bathed break, rasping hats and warm oldschool baseline.

dj t. gave us his fine album, the pleasure principle last winter. since then ts given controls to top producers for high grade remixes. this time daniel bortz, clockwork and dj t. himself take on >leavin me feat. khan<. jump right into things with the clockwork remix, a sweet blend of house-party amience and maintime club sensation. the rhythm alone could keep us dancing for hours, that mixed with the itchy bassline and arousing vocals, ensure that no one is feeling anything else. clockwork delivers a solid remix, more than worthy of >leavin me<. the b side shows daniel bortzs remix in full view. right away, a full beat pulling you into the rhythm, building to the entrancing chord play. the vocal lines give a sensual tone to the mix,. right at home in berlins watergate or a closing party on ibiza, this track carries us on, while the night hours fade to early morning. t.s > left with attitude mix< finds us in the deepest of nights, where flashing lights illuminate our ecstatic faces. heavy piano chords roll and the beat fades, pure sound. the kick brings us back to earth. t. meets us at the part when you realize you have found what you are looking for and all is right in the world

brandt brauer frick haben wieder zugeschlagen. im vergangenen jahr debütierte das deutsche trio mit dem album >you make me real<, einer fusion aus techno und klassik. doch tracks wie >bop<, ein reichhaltiges, polyrhythmisches gebilde, zeigen, dass es geht. nun haben daniel brandt, jan brauer und paul frick ihr genre-bildendes experiment mit ihrem ensemble auf ein neues level gehoben: die computer haben sie eingetauscht gegen eine zehnköpfige band, mit der sie handgemachte dance-grooves live spielen können. wie das klingt, haben sie in diesem jahr bereits bei der eurosonic conference in holland gezeigt, dann in coachella, beim festival glastonbury, sonar, north sea jazz und bestival! der neue, handgemachte klang wurde nun auf einem brandneuen album festgehalten.
inklusive code für kostenfreien download des kompletten albums.

chicago native producer joey kay, and well-known poland producerand d.j. aphreme duel it out on stylistic recordings styl#003 high-riser extended play vinyl 12 inch. the title track to this e.p. is a1 in tracklisting >high-riser (skyscrape edition), with aphreme and joey kay bumpin the deep house chicago style, with joey kay engineering and co-producing aphremes great jazzy song. joey also plays intricate piano leads, and layers of extravagant synths and strings, dueling with aphremes main concept. a great floor filler, jazzy mixed with chicago deep house and peak club blend

the lab, nrks mix series devoted to the worlds most cutting edge djs and forward thinking sounds, returns this autumn with an instalment compiled and mixed by undoubtedly one of the scenes most talented, charasmatic and brightest stars.
hailing from the suburbs of detroit, seth troxler has made an incredible journey over the last few years, from the local dj spots at detroits the works club and behind the counter service at the famous melodies & memories record store, to the most top drawer nights and clubs across the world, such as fabric, panorama bar, dc10, the rex et al.
this 4 track sampler features the always talented andrew weatherall on the remix of radioactive mans germanic new-beat style >fed ex to munchen<, the minimal ambience of arks >arkquarium<, crosstown rebels/wolf & lamb artist deniz kurtel on the remix of chaim, and the truly magnificent cowboys & indians inspired minimal house of unds >rodeo<.

a great track from joe & ubit (aka hugo), remixed by two of the founders of the label (phooka & maurizio cascella) and great guest artist, hubble. the original track is a pure concentrate of techno and filtered tools. voices, percussion and bleeps all mixed with a relentless and powerful bassline. phooka rmx is a swell of synth and bass, which offers a glimpse into the psyche of the listener, a drive of techno beats & a powerful dancefloor-orientated track. hubble gives us a masterpiece, a mental and dark version, in line with his other works and his unique and personal style! maurizio cascella closes the rmx and transform the original track with a heavy groove and loops the song, making it a unique and potent dj tool, a must-have for all djs.

hot off the presses. we just got these in last nite from portland. this is our first real peak at body work, glass candys much anticipated third album. johnny & ida have been destroying clubs with both of these tracks for almost two years now. forever pushing forward into new ground from where b/e/a/t/b/o/x & 2010s feeling without touching left off, they candy coated this slice of analog glamour & sprinkled it with some stardust on top. lazer driven melodies bounce off electro primitive drums that would make moe tucker proud. idas crazy like a monkey & happy like a new year as she sings a call & response to the crowd. >warm in the winter< continues to unfold for seven plus minutes of shimmering percussive synth. the proto boogie b side >beautiful object< is so grimey it makes us think of bbbb s production on the first madonna album. the rhythms keep turning while future & past collide. johnny gives us the usual dosage of heavy bass & crisp handclaps. written & recorded in the icey montreal winter. mixed for all seasons.
entire first pressing on delicious rasperry colored vinyl !

about yoav b (delsin/wasa bi) :in the last 10 years, dj yoav b has released some of the finest deep house and techno records around, some are already considered as cult classics. most of you will recognize that thick, thick bassline of his underground anthem >energize<, which was fired at you at many dancefloors around the world, or that dazzling kick drum and fm synth bass line of “organ satta” that appealed to djs from chicago to berlin.with his latest release for the most respected delsin label, entitled >love dubs<, he kept pushing the limits of dance music over the maximum, with some experimental yet funky as hell house and techno music, picked, played and charted by a large scale of djs such as martyn, marcel dettmann, charles webster, basic soul unit and more. near future projects include e.p. releases for the lables meakusma (belgium) and synchrophone (france).as a dj, yoav b. has established himself as one of israels finest underground dance music jocks. also recognized for his unique cut n paste way of mixing, you can hear in his sets nothing but deep and hot music in various styles – from deep house to techno, from disco to jackbeat, from classic to futuristic – all mixed in a furious funky, yet coherent spinning style.

after years, this vinyl-wielding 4-piece originating from brighton — the one and only soft rocks — have finally committed their collective wit to a slew of original tunes. >we hunt buffalo now< is a punky dub monster serving as the first single in a series surrounding their = imminent debut album, >the curse of soft rocks<. in an age where any laptop-savvy poseur can upload their bland nu-disco or faux-chi-house directly to the cesspool of digitally downloadable fodder, it is more than refreshing to hear this cheeky bunch blending a mixed bag of instrumentation and obscure influences so recklessly. guest vocals are provided by san francisco post-punk hero jorge socarras (vocalist of indoor life and songwriter for patrick cowley). in case that wasnt enough, flip her over for the genius remix by andrew weatherall, a bonafide glam stomper that slaps you across the face with a fuzzy bassline and greaseball guitar chords. pure class.

recorded in late 2010 and mixed in a remote studio during the finnish snowstorms of early 2011, donky pitch present >the trick ep<, by helsinki resident and skweee pioneer v.c. six original tracks of synth soaked computer funk, electro inspired slow jams and colourful hip hop heaters. v.c. has been making moves in the skweee scene since the early days (as a solo artist and as 1/4 of supergroup yt). his combination of layered synths, hip hop beats and that type of funk only found in the cold reaches of the nordic region have scored him releases on every skweee label going (flogsta danshall / harmnia / mssy / ddpop / disques mazout) as well as ramp recordings. we felt it only right that he commanded our first true foray into the scandinavian electro funk sound of skweee.

roberto auser drops a massive disco bomb on the label that gave us all the early coca disco classic, the magic mixed up the hague mixes from i-f and many other timeless releases. this is one of the highlights of i-fs dj sets in the past months and it just had to come out on vinyl. highly explosive!

>hoping for the invisible to ignite< was recorded and mixed between paris, normandy (fr) and saint-margaret of antioch church in leeds (uk), these four haunting orchestral pieces were performed in the studio live, and re-recorded using a wall of sound process, adding the natural reverb of the church to the raw tracks. the dvd includes the super 8/16mm black&white film >as true as troilus< by jayne amara ross & a bonus live performance shot by alain grodard & rod maurice during the festival des nouveaux arts sacres at saint-eustache church in paris.

remastered reissue of arthur russell s most mind-bending (and boggling) psychedelic dance raga, originally released in 1986. includes all three versions of let s go swimming: arthur s ownmixes of the gulf stream dub and puppy surf dub + the legendary coastal dub, mixed with love by walter gibbons. also included is the previously unreleased epic 11 minute keyboard funk version of make 1.2 (gem spa dub). huge tip!

russia is a cold country, but it seems that volta cab has created an underworld in his hometown, where he creates, creates and dont stop creating dance music with a warm, acoustic and timeless point of view. konstantyn gives us for this fourth release, three original tunes where acoustic are mixed with synthetics as no one ever had done and gives us details that only come to those music lovers who are never satisfied with a simple rhythm. this time the fiakun boys have two pure elite remixers, such as daniel bortz and ene! which they have remixed >be madly in my love< with their own perspective and initiative.

delta is a symbolic and poetic place, the space, where the flow, the river enters the ocean or the sea. the delta gives the feeling of the rhythm. the delta is the supreme destination. delta refers to hanging out in the street in a city (in the district, for example). essential in the delta is the spirit of conscious spontaneity, collaborations with artists, instant moves, jam sessions, highs and the lows, the right thing, night, stories to tell and other basic habits from the primordial age of music. the delta provides one with a primal style for the music. it is the place where music begins. recorded in moscow, nikolina gora, russia and in berlin, germany and mixed by daniel maloso in barcelona.

our favorite guys from athens return to we are after some time, and with some super tight beats as well! fact of the matter is, that we for this one occasion chose to go with a full 12 inch instead of our standard club tracks 12 inch format simply because we needed all these three tracks to fit – good job! already passed the floor-test at many clubs and people are really feeling this superglued tightly produced rhythms mixed with old school disco house, they are held back and sneaky, and at the same time accesible and open to groove – just the way we like it!

his single comes to people that make the music records from one of house musics most eminent production teams: first ibiza lady alla farmer, mateo & matos and ukrainian singer and producer vincent inc, chris gray from deep4life, jazzy house veteran john crockett and uplifting deep king brendan mccarthy aka aquatherium. though not stereo-typically their style, this set of tunes give good credence to their soft house music production ability. they set the scene for sounds entering as a funky bassline, squealy guitar riff, and classic 4/4 drum loop. john remix consist mainly of dubby bubbly conga rhythms, cosmic chords, floaty synths, musical saw tones and a nice rubbery bassline. aquatherium remix is pure non-intrusive, house music that is great for the sunset beach session or even the roller disco! chris & alla made eclectique deep house which is just a dope! the remixed single tracks have been mixed together to give it a beefy blend that would be perfect for the floor of many poorly lit dance dwellings. people that make the music has stepped forward with a brilliant ep of insatiable grooves.

after the darkness of rabid dogs ep black sunday recordings now brings you a new summer-ish release by rotterdam based producer the eerier child. heavenly creatures ep starts off with the soothing downtempo track rec, exploring the depths of your subwoofer with a kick-ass kickdrum. the melancholic sounds of into the sun (vip mix) are familiar to those who have been listening to the cd album >frequencies of the mind<. this album was released in may 2009 featuring various artists. now the track has been re-mixed and re-mastered especially for this 12inch release. thunderball will lure you into deeper realms with a triggering wobble that will boil up your engine. the fourth track deep red is drenched in gloominess, with laidback grooves and smooth synth lines. with day the adventure slowly becomes dim as you enjoy the sun setting down, entering the beginning of a new dark night

tokyo black star is finally back in full effect on reincarnation with 2 timeless deep house music gems in collaboration with our very dear friends at slam jam. >sotto marino< takes on a long ride and is reminiscent to the early 90s beautiful ecstastic italo house music vibe we love so much, while black box pays tribute to the real black funk at the now legendary friday fever black box party at club suono in ferrara with resident djs pasta boys and dj hendrix making you funk, jack and sweat under the strobe light dancing on a light floor lost in the jacking zone! produced and mixed by alex from tokyo and isao kumano for tokyo black star production in spring 2010. this ep is a tribute to our special friends at slam jam, to the maestro enrico crivellaro and to our extended music&party family in italy! arigatoni!!

aardvarck returns with his third full length album for eat concrete records. >anti concept< showcases a taste for deep ambient and minimalstic soundscapes, dub, detroit techno and bass heavy beats, mixed into a perfect flow. as the title suggests >anti concept< leaves aside musical genres and focuses on atmosphere rather than style. aardvarck carefully and patiently builds his own world of sound, adding layers and complexity with each track. these tracks bring mostly new material but also contain some of his earlier works on previous eat concrete and bloom releases, highlighting some personal favourites of his impressive output. enjoy!

for alec koone, the 20 year old, pennsylvania resident, who was 19 and based in new york at the time of his first release, >wander / wonder< is a coming of age album that sees him expand upon the unique sound that attracted him so much attention to begin with. in koone s own words: it s an open ended album, and i think individuals should make their own meaning of it so that it is something actually real to them. it s not classical music, but in the tradition of a classical work like a bach cello suite, i see it as more of a whole musical piece with themes/motifs/ideas reoccurring throughout, connecting the tracks together as opposed to simply being a collection of songs that sit next to each other in isolation. it s also an album that should be listened to loudly. wander / wonder is a mysterious and genuinely haunting record that seems to exist in a world all of it s own making, balanced between the ecstatic wonder referenced in the title and something altogether more indefinable and uncertain of itself, like shards of light flickering through a blanket of fog, and even though wander / wonder is undeniably an electronic album, it feels strangely organic, rooted in nature, synthetic textures and distorted voices harmonizing with an ever present oceanic shimmer. wander / wonder was written and produced by alec koone in new york and pennsylvania. mixed by alec koone and sam haar (member of blondes) in new york city.

with influences ranging from early house and disco to turntablism and techno, dallas, txs brett johnson successfully straddles the line between knowledgable >thinking mans< dj and genuine, primal floor-filler. bretts sound is best known as groovy, bumping house with a hearty dose of techno elements, crafted and mixed in a way that is truly identifiable as his own. over the past ten years brett has released serious, futuristic sounding house music on numerous labels including classic, freerange, lazy days, and bretts own aesoteric and bang the box imprints. denvers full flavor music is honored to have brett on board for its latest release, the someday ep.

next up on falkplatz we chose one of italys most talented and uprising producers for contemporary dance music. roberto bosco from salerno. bosco already released on francois ks wave music, on orlando voorns night vision and is currently preparing his first full length for len fakis figure label. beside that he founded his own imprint flying donkey music together with claudio mate. for falkplatz roberto produced two tracks, that catch the ears of housefanatics (good lover) as well as the hearts of the technolunatics (untitled). remixes this time come from panorama bar resident steffi, who gave the original a touch of oldschool and sadness and from the falkplatz conspiracy (oliver deutschmann & ed davenport) who mixed a crafty acid influenced warehouse banger out of the original.

the sight below is a project created by rafael anton irisarri, an american composer, multi-instrumentalist, curator, producer and mixed media artist. in this guise he has produced two full-length cds on ghostly international, >glider< (2008) and >it all falls apart< (2010), and most recently, under his own name, >the north bend< for room 40.
the connection between the sight below and biosphere starts with the latters remix of >the sunset passage< from the >glider< cd, released on a limited 12” in 2009. >n-plants_remixes< is a superb extension of biospheres new touch cd as well as a fine release in its own right. only 300 copies have been pressed.

splatter is a producer from merida in mexico, with huge reconition in central america and europe. his style is deep and sinister inspired by the world surrounding him. an abstract experience, mixed with unusual non-linea structure base. mike walls productions sound like the perfect fusion of techno and groovy house. creating his own style of techno is the reason he is doing fantastic live sets as well including all the different sound structures, glitches, bleeps and basses he s interested in and let him feel balanced. this release is inspired by splatters summer holiday in copenhagen the summer of 2010. the release features deep and exotic basslines wrapped with glitches, funky noises, and hypnotic drones. a solid composition for the after hour specials.

the guy on the couch is the new project of andy rk and the infamous duo of the analogue cops. >golden lady< is a techno flavored house e.p. that will blast every dancefloor. it has been written, mixed and produced at the restoration headquarters with the use of any computer. the tracks has been premastered by the analogue cops in their raw and compromiseless way.
the short a side is so mighty that it has the power to stop time. the beats are tight and the influence of the artists of the second detroit wave is vivid.>the last word< is an evocative deep house track enriched by numerous samples of old crispy records. smooth and addicting, its a late night tune.>drei hunde< has a funky hypnotic groove that set off a wild pitch hook. just six minutes of danger.

bj nilsens >vinyl< is the first in a new series of limited edition touch white label releases, which will be limited editions of 250 copies.
recorded on location in sweden, iceland, austria and england using various microphones, media and formats. sources include wind, waves, tone generators, piano, guitar and other stuff. mixed in berlin 2010. cut by jason at transition.

canadas cobblestone jazz have established themselves as one of the most unique and inspiring bands of the past decade. thanks to their exploration of house through the eyes of a jazz improv group, their music is derived from the organic energy of the groups jam sessions and their now legendary live performances. comprised of members tyger dhula, mathew jonson, danuel tate along with newest addition the mole, cobblestone jazz are as accomplished individually as musicians and performers as they are a band - united by long term friendship, respect and passion for writing music in the moment. their decade long history of releases on iswhatitis, !k7 and wagon repair have earned the praise and long time support from the likes of gilles peterson, carl craig, luciano and sven väth. >memories (from where we are)< celebrates the first of a series of 12 inch releases that will come out on wagon repair over the course of 2011/12. the outcome of a berlin jam session last fall, the band incorporated a fender rhodes, vocoder, and sh-101 to make up the core voicing of the tracks while a cs-20 provides the drive at the end of both. in typical cobblestone jazz fashion, the track was mixed live with no prior sequencing arrangement. the session was then cut by the mole into two sublime edits - the results could be their strongest release since >dump truck<.

tommy walker 3 has been hiding for a while now, after releasing a slew of material in 2008 (including a release on the sadly defunct dissident). now hes back with >dance music clubbing<, and with a name like this youd probably expect this ep to either be a bit off the wall, or unintentionally awful. we are glad to say it fits into the former category, offering an ep of colourful elastic space disco mixed with a more classic vibe. opener >disconnected< sets the tone with its 80s, verging on hair metal guitar riffs. >mwj1< impresses with its almost seinfeld-esque slap bass, and synth piano stabs while >errational< is characterised by its wonky synth melody and spaced-out laser gurgles. finally >v brains< melds driving live bass with huge slabs of cosmic squelch. if you like your disco fierce, this will definitely be worth a look

absolutely classic tune from chefs label. this featured on dubstep all stars vol. 7 mixed by chef, and has become one of dubsteps underground anthems. features remixes from von d & geiom. fans of tikiman, rhythm & sound will appreciate this 12 inch.

fennesz writes: seven stars was recorded in vienna in january 2011. i recorded and mixed the album within 3 weeks. liminal and july were existing pieces which i have reworked. (i wrote an early version of liminal in a hotel room in bali in 2010). there is also a version of liminal that i have been playing live for some time. my friend steven hess, with whom i have worked before, happened to be in vienna at the time of the sessions, so i invited him to join me in the studio. christoph amann recorded the drums using a selection of his great microphones including his amazing new josephson

the kid is back... august darnell a.k.a. kid creole returns in style with his first studio album in over 10 years this autumn, i wake up screaming, an epic comeback recorded for strut at kid creoles sweden hq and mixed by brennan green (chinatown records).
in anticipation of this all-new creolian odyssey, strut unleash the opening single, i do believe, a trippy disco stream of consciousness straight from the mind of darnell touching on greek mythology and other fantastical snapshots. alongside the original album with its unmistakeable double harmonies and infectious slap bass groove, the 12 inch features some mouth-watering mixes: brennan green draws on some todd terry techniques for a hypnotic dub, san francisco dj collective 40 thieves (responsible for dance anthem >dont turn it off< on permanent vacation) take the track into chugging electro funk territory, and nu disco pioneers faze action deliver a smacking 4x4 version with an anthemic piano line. the digital release features extra tracks - the faze action dub and the original radio edit of the track co-produced by august darnell and andy butler (of hercules & love affair) and mixed by brennan green.